Week 18 - Interview and Towards Final Editing

This were all actually done my self-taught Miss Lisa.

I was kind of surprised that Miss Lisa done so much of little stuffs.

All of the questions marks that actually fly through my mind.

What am I like the most was the little lamp. I couldn't imagine how did Miss Lisa idea came from ..

I was really fall for it. 

Another one is her dooddle. I was really fall for it as well. 

If I wouldn't know it is by Miss Lisa, I would have thought that must be a printing by computer then. 

Here are the questions that I came out with. 

- What made you become a designer?

- What are the challenges you have faced and how did you over come them?

- Can a self taught designer make it in the design industry in Malaysia? Is there any possibility that it will be be accepted in this society ?

- Where do you get your inspiration?

- What qualities do you need to succeed and what you value most from other people?

Let's come back to the editing part. 

I was kind of stress on editing due to the apps and I have no any confidence on my editing.. 

yet , due to i follow what my leader have taught me and I had shown it to her. She actually felt happy with it. 

I was seriously surprised with it. 

By then , she correct some of my grammar mistake and guild me what will be the next step. 

Week 17 - Email and Replied

As the two artist taht I had mentioned on the previous blog post, I have actually emailed them.

For Graphic Designer ( Ong Poh Jin )

I have got some reply from him, But, Unfortunately due to time clash, we could make it for interview him. He was kind of fine with it as well and he did said that if we have second chance, he is welcome us for have an interview with him. 

For  Contemporary Mythology Art Designer. ( Caitlin Hackett )

Unfortunately, as what I expected that she did not reply me. For my own point of view that maybe is she did not received the email or she does not feel comfortable with has an interview.


As soon I told my group leader, and well she claim and cheer me up due to I really wanted to interview Caitlin Hackett then.

Soon, I came out with an idea that why not we interview Miss Lisa then? She is our course lecture for Principle of Design and 2-Dimensional design. I suggested her is because of she is a self taught designer. I am kind of admired her from the day I knew she is a self taught designer. My group leader agreed with me for interview her.

I have started the editing part first is Jialun Part. I couldnt able to do it fast due to it is a new apps for me. But, it is going fine after hourssss.

Week 16 - New Group , New Mood , New work

Heh, I was kind of sign of release that I had now live better than the previous group then.

Wei Yi does explain to me what has been gone through in her group.
Basically they have interviewed 2 artist which is Ng Thiam Joo and Asghar Yaghoubi.

Wei Yi , which is my group leader, she asked me to look for some of the artist and have an interview.

Here are my list of artist that I would like to interview them if i can.

1 ) Graphic Designer
     - Ong Poh Jin

2) Contemporary Mythology Art Designer.
    - Caitlin Hackett
She is the artist that I want to interview the most because she is one of the designer that I admired the most. She done quite lot of hybrid stuff which is what I was doing always.

Basically all of my art work are based on her and by doing research of hers, I come out with my own.
here is her art work.

http://caitlinhackett.carbonmade.com/

After finished discuss, I volunteer to be a Video Editor due to I have to prove myself that I have actually done something to Mr. Charles. Wei Yi approved it and she explain to me that what will be add and happen in the video.

Week 15 - Misunderstanding

For this time , I did not actually know that I been back stabbed by my class rep which is Dayana. She used to asked we all not to back stabbed other in our English class, who knows.. Now she is the one who started to back stabbed others.

She actually went up and meet Mr. Charles and told him that I did actually do nothing for the group project. Yet, she did not even know the through that Cong and I actually went up to Nick and Jien Li asked for quite lot of times that what do we need to do for Contextual Studies. For me , personal, I did actually went to Nick and Jien Li the less around 10 times that "Anything that I need to do, What can I do and What should I do for contextual Studies? I do want that at the end of the assignment that I be said that I did not do anything for this assignment."

So basically, everything started get worst when I could not find the microphone that we need for the interview. I was kind of shocked after I knew this.

I was supposed to search for a microphone which cost around RM100. Unfortunately, I couldn't get the one that my teammate want and for Dayana's group, her group-mate went to Subang Prade which I went before and he found it. It is only cost RM20. Nick and I were dispute.

Mr. Charles asked us to clear everything up (The misunderstanding). He asked me to talk to my leader. That time on wards, I just knew that Nick was actually my leader. For so long time, I always dealing with Jien Li. She was the one who told me what was happening before. After I said "I did not know that Nick was my leader", he burned. He started to pour every things out that not actually related to contextual studies to me. And, for my point of view, I did actually can feel that he is blaming on me that I could found that. In between of argument, I found that Jien Li actually did not tell the truth that I had called her when I was in the shopping mall which was when I found the microphone.

Second,I actually whatapps and face to face asked what can I do, where their answer are always "No worries, If anything help then I will tell you." Nick started to scold me that I asked him that was long time ago. But, he did not even know that only like 1 week passed, I asked Jien Li anything that I need to do for contextual studies? And she replied "Not yet, wait me finish reading for the essay first."

In the argument, he was blaming that I did not send those video and pictures to him. He did not proper tell that he and Jien Li are going to edit the video. For what I knew, I thought was we all edit it together.

One more was the worst was I found that I did likely went and ask some questions from Mr. Ernesto and that did not inform me at all. It was like some kind of interview. I actually felt left out then. but basically that was, they are always discuss stuff among themselves. did not actually care about others or get our opinion.

After that I went and have an appointment with Mr. Charles and tell and ask for all or the truth.

Okay, done with that, I do not feel to talk much bad about them.

So, I have decided to jump out from that group and go into Wei Yi's group.

I now feel better to work with her more than with them. She knows how to arrange everything for each so that each one gets things to work on.

Week 14 - Documentary Process ( Part 5 )

What They say about Ch'ng


"Chng Huck Theng’s “The Journey” series is much revealing to the viewer about his manner and thoughts, the art works is a reflection of his physical and inner-self, questioning his surrounding, and a lot of other things, demanding answers. Therefore painting as medium for him to freely express is a perfect choice."Dr Mohamed Najib Ahmad DawaDirector-General, National Art Gallery Malaysia 2009


"Chng’s current work of art is beyond most artist where freedom and expression play a very strong role. This is a good sign as the artist (Chng) has moved ahead and achieved an identity that most artist can only dream off."Dr. Suchat VongthonPresident of Suchat Vongthong Foundation, Thailand 2009 


"We have chosen to represent Chng as our first Malaysian residence artist simply because his works are original and we believe he can go far as an Asian artist.”Ali KusnoOwner, Linda Gallery 2008 


"Huck Theng is perhaps ready to beat his wings and fly upwards into the boundless sky. His journey, up to this point has been rich, diverse and exciting!" Hasnul J.SaidonDirector, Muzium & Gallery Tuanku Fauziah, University Science Malaysia 2008


"...the current body of works, in all its’ aesthetic splendour and heartily delivered strokes are a homage to beautiful predicaments...these beautiful predicaments may actually serve as more than a temporary adobe of Chng’s wandering and ever aspiring spirit." Zanita AnuarDirector, Research & Development - National Art Gallery Malaysia 2008


"Your (Chng Huck Theng) initiative and vision to interact and develop strategies for visual and modern art in Malaysia especially deserve a big acknowledgement." Wairah Marzukiformer Director General, National Art Gallery and Chairman of the Trustee Acquisition Board, Malaysia 2007


"Form his explosive entry into the Penang art scene at the Chung Ling Artists Invitational Show in 2002, Chng Huck Theng was to be anything but another artist painting more than the same. Still only 35 years old, Chng Huck Theng’s art is an exciting work in progress." Dato Tang Hon YinChairman, Penang State Art Gallery 2007


AwardsKLCC Shortlist Award Winners

London International Creative Competition was delighted to announce the Final Selection and Shortlist of the LICC 2010 competition in September 2010. 5 paintings from Chng's 2010 creation entitled: "Brain Imaging - What You See and What You Want to See" won the Shortlist Award. LICC is a vehicle for facilitating contact between uniquely talented artists and an international audience.

Wining The Asia Art Award 2010

On 13 April 2010, Mr. Ch’ng Huck Theng received the Asia Art Award 2010, presented by Korea Culture Art Research Institute in Seoul, Korea. He was the only one artist from Malaysia and the youngest among the 11 awardees. His work was also exhibiting in Asia Invitation Art Exhibition in Seoul 2010, from 13 April to 17 April 2010.

Week 13 - Documentary Process ( Part 4 )

Artist Statement

Art equals personal taste. Simple. Period. It can be likened to a book where the beginning represents the artist’s creative process and the end represents the collector’s decision. Interestingly it is not that simple, because one must read the whole book to know the eventual outcome, although it all depends on the basic principle of ‘to give and take’. As one piece of art goes through the lengthy process of creation and later begins the ‘search’ for its new master, it will face the multiple tests of competition, criticism, acknowledgment and possibly even rejection. Art circles can sometimes be cruel. Sincerity, confidence, firm, proper guidance and luck play important roles in defining this amazing journey!

I compare my life to a piece of art. I came into this world naked, as if a piece of pure white canvas stretched onto a frame. As I grew, the sketches started to mark out their territories. Then came along the brushes and pallet knives with various colours ready to turn me into a masterpiece! As time progresses, this piece of art will be continuously appraised and criticized by the creator and passers-by. No one can really tell how good a painting is, until the artist finally signs his creation and puts it on display. But the interesting fact is that in life (and even in death) both the creator and the art piece will forever be linked together.

Art is probably the world’s hardest profession. In the business world, there are black and white areas, right and wrong. In the art world, there are no rules. Many so-called artists will take advantage of this ‘grey area’ and often hit below the belt. As art depends on personal interpretation, it is for the beholder to judge. Art is nothing sacred and in many ways hard to comprehend, especially for those with limited knowledge about it. To put it very simply, art is just another example of supply and demand. It is not just about a single painting hanging on a wall demanding a value be placed on it! It is all about the life of the creator – the artist. Right from the very first thought that an artist has, to the development of an idea, till it becomes the very last drop of paint the artist brushes on to the canvas – art and artist are inseparable. This is my art, this is my life.

Principle in art:

Art started as a form of communication thousands of years ago. Hitherto art is still considered very much a form of communication but emphasizing more on the idea and concept that an artist as a creator wants to deliver. Chng believes that his work of art should be from the heart and not from public pressure. The basic principle of an artist is to create, a gallery to promote, a critic to criticize and a collector to collect should be abide. This chain should be respected for a simple reason to enable an artist to focus on his creativity. Creativity comes from the exposure of an artist movement in life either near or far. With movement comes experience, with experience combining with one’s philosophy, then only one can create a unique yet impressive piece of art. An artist should never sell his soul and bow to public pressure. For artists that have chosen to only paint as directed, they should be considered commercial art processors. Professional painters should present genuine creativity. 

Week 12 - Documentary Process ( Part 3 )

For this time , we did not actually set up any discussion for discuss about this projects' progress, due to having kind of much of assignments and issues, yet I did went to Jien Li and asked her anything that should I help up for the documentary process ? Any research that I need to do ?
She was actually kind of busy as well with all of the assignments. So, still remain the same that and she told me "no worries, if anything need to do that she will let me know." She did tell me to wait for her to finish reading some unknown articles text that she needs to read through for the documentary.

Therefore, for this week we all were actually did not do anything much on this then. I still continue on my research on Mr.Ch'ng. =/

Week 11 - Documentary Process ( Part 2 )

I actually found another artwork that done by Mr. Ch'ng which is Planet Earth Today and Tomorrow. It was Acrylic on canvas..

PLANET EARTH TODAY AND TOMORROW

Hope

Acrylic on canvas

2011

Ice Age

Acrylic on canvas

2011

Principle

Acrylic on canvas

2011

Standing Tall

Acrylic on canvas

2011

The Good Old Days

Acrylic on canvas

2011

Windsurfing

Acrylic on canvas

2011

Man made tragedies today such as global warming and terrorism have made all of us wonder what is it to become to the place we call home tomorrow. It is not a wrong choice of word when I use the word ‘tomorrow’ instead of common phrase ‘in the future’ simply because unexpected incidents by the act of God or humans will just happen anytime anywhere. Many have pointed their fingers to global warming when Mother Nature strikes merciless where human lives and homes are crushed as if we put a thumb on an ant. The unusual frequent happenings of earthquakes, floods, volcanic eruptions and the extreme change of weather temperatures have caused devastating effect to all of us. Whether or not this is a punishment from God for us humans taking most things for granted yet living behind a legacy of pollution is debatable. 

Citing recent major natural disasters as a sign of warning to human’s habitat is not as bad as having humans killing humans in the names of ‘Gods’ and the presumption of ‘Rights’. It is understood that all religion and races, peace and harmony are the ultimate teaching and objectives of the survival of human kind. No one is above anyone and everyone has equal rights to choose their destinies. Current society’s stress and borders’ conflicts have resulted to unforeseeable tensions that have claimed innocent lives and destroyed once a healthy society. It is a fact that Rome is not built yesterday but this majestic empire can be taken down in a day. Terrorism has made possible horrible nightmares than once were thought impossible but today nothing is impossible when it comes to killing and destroying. 

The world is hurting as if it is being thrust by a double edge sword with one edge being global warming and terrorism claiming the other. It is time for all of us to reflect on how did it all begun and how did we end up with this mess. These series of paintings entitled ‘Planet Earth Today & Tomorrow’ have mainly three main subjects namely the prominent bright red apple, splashes of black paint and sometimes human images. The combination of the red apple and human symbolize the Adam and Eve connotation of how we are created and differentiated. It was then an untainted piece of art showcasing a perfect world. However time flies and people change as the surroundings become more complicated and unpredictable. No doubt human minds have developed remarkably through science and art, but this development has also unleashed the dark side of many among us. Greed and power hunger have not only be sicken the place we call home but these evil behaviors have caused great sufferings to the innocents and unfortunates as if a splash of black horrible paint destroying a piece of good painting. 

Today, it is indisputable that we are all stuck in the same place that we call earth. The clock is ticking. We may be heading back to another ice age if we continue to be ignorant and selfish. It is not only about this generation but generations to come. They, our children and grandchildren should have the right to breath fresh air and to bite tasty red apples.

Week 10 - Documentary Process

For this week, Nick asked me to find some apps that could make the audio louder due do we having too much of background noise in the video. I managed to find it and send it to Nick. I could not managed to try it out due to it only can assess on Mac. It is "Final Cut Pro X". After I send it to him and I told some about my research on this week. Below are my research.  

Another Record: “Little Princess” sold out in PINKGUY Gallery

FOR IMMEDIATE RELEASE (AUGUST 2014. Malaysia) The “Little Princess” sculpture, the artist’s personal tribute to his daughter, must have struck a sentimental cord with guests as the limited 8 pieces sold out during the opening of FOUL exhibition on 23 August 2014.

This event that runs until 9 September 2014 at PINKGUY gallery is the first solo bronze exhibition by the Asian contemporary artist extraordinaire Ch’ng Huck Theng.

Presenting 15 bronze works which were displayed over the water feature which graces the lobby of Marc Residences, Ch’ng introduced a new perspective to the concept of identity in which the question of race, religion, nationality and ethnicity is deliberately left out.

The successful opening was officiated by Dato’ Mahadzir Lokman, the Chairman of the National Visual Arts Development Board and attended by a select guest list of art collectors, experts and friends.

Those attending the event were also priviledged to witness the unveiling of Ch’ng’s latest work “Princess Liberty“, depicting the figure of a woman riding a horse which raises the question of freedom in anonymity. Other pieces that were sold that evening include “Anak Malaysia” and “Checkmate“.

“Angle of Love” sculpture by Ch’ng Huck Theng

Opening Night of FOUL exhibition at PINKGUY gallery, Marc Residences

Opening officiated by Dato’ Mahadzir Lokman (right), with the artist Ch’ng Huck Theng (left)

(from left to right) Dato’ Mahadzir Lokman, Winson Loh, Ch’ng Huck Theng with the “Anak Malaysia” limited edition silver coin

Dato’ Mahadzir Lokman, Ch’ng Huck Theng and his collaborative work with Lamborghini Kuala Lumpur

Artist Ch’ng Huck Theng (left) explained the story behind his works to the guests

Chng Huck Theng, gallery owner Winson Loh and guests, with Ch’ng’s work: “Checkmate”

Week 9 - Research after Interview Sculptor

We did actually talk much yet we were been give each person in change of one part for the documentary process. 

I did actually found that the things that Mr. Ch'ng has gone through. 

For Mr. Ch’ng Huck Theng, his sculptures are ugly but this is a matter of perception. 

By the way, Nick and Jien Li told me that to send the photos and the information that what I have in charge during the interview and the details I have found to Jien Li.This is because I was one of the person who shoot for all of the video and the photo during the Interview in Art Expo.

Ch’ng Huck Theng - The Biography
Born 1972 in Penang, Malaysia

Phone:      + 6012 483 2626
E-contact:  chng@chtnetwork.com
Website:    chng-art.com / chngart.com

Resident Artist at:   - Linda Gallery (Indonesia)
                             - Melbourne International Fine Art (MIFA)

Education
1994 Bachelor of Commerce, Wollongong University, NSW, Australia
1995 Master of Commerce, Wollongong University, NSW, Australia

Award2010:    London International Creative Competition (LICC), Shortlist Winner, London, England
2010:    Asia Art Award, Seoul, Korea
2005:    Nokia & Le Prestige ‘Malaysian Top 40 Under 40’

Solo Exhibition
2010 “Brain Imaging : What You See and What You Want to See”, Pace Gallery, Malaysia
2010 “The Solo Exhibition by Malaysia Ch’ng Huck Theng”, Seoul Metro Art Center, Seoul, Korea
2008 “The Journey”, Linda Gallery, Jakarta, Indonesia
2007 “The Journey”, (Educational) Universiti Sains Malaysia, Penang, Malaysia
2007 “The Journey”, Galeri Seni Mutiara, Penang, Malaysia
2007 “The Journey”, Artseni Gallery, Kuala Lumpur, Malaysia
2004 “L’Art et la Maiere”, Alliance Fracaise de Penang, Malaysia
2002 “An Evening with Cartier and ABN AMRO Private Banking”, Cheong Fatt Tze Mansion, Penang, Malaysia

Group Exhibitions
2010 “Affordable Art Fair Singapore”, Singapore
2010 “ASIA NOW”, Melbourne International Fine Art, Melbourne, Australia
2010 “ORIENT2010”, ASEAN-Japan Centre, Tokyo, Japan
2010 “Merdeka 53”, Galeri Seni Mutiara, Penang, Malaysia.
2010 “Asia International Art Exhibition”, Seoul Museum of Art, Seoul, Korea
2009 “Malaysia International Art Exhibition", Dubai, UAE
2009 “The 3rd Nam Song International Art Fair” Seongnam Arts Center Museum, Seoul, Korea
2009 “The 71st Mokwoohoe Members Exhibition” Seoul, Korea
2009 “Art, Life & Vision – 100 International Artists Exhibition”, Conservatory of Fine Arts, Malaysia
2009 “Penang Art Society @ 57”, Penang State Art Gallery, Malaysia
2008 “The 70th Mokwoohoe Members Exhibition and Combined with The Malaysian Figurative Artist “ Seoul, Korea
2008 “Creation”, Penang State Art Gallery, Malaysia
2008 “Urban ArtBeat”, Starhill Gallery’s Arts Festival at Starhill Gallery, Malaysia
2008 2nd International Art Expo Malaysia 2008, MEEC. Kuala Lumpur, Malaysia
2007 “Artist’s Favourite”,Penang State Art Gallery, Malaysia
2007 “Merdeka 50”, Galeri Seni Mutiara, Penang, Malaysia
2007 “L.I.F.E Experience”, Ascott Kuala Lumpur, Malaysia
2006 “Vision 2006”, ABN ANBRO-USM Gallery, Penang Malaysia
2005 “LINK : Penang-Beijing”, ABN AMRO-USM Gallery, Penang, Malaysia
2005 “LINK : Penang-Beijing”, Capital Normal University, Beijing, China
2004 “Penang Art Society 50th Anniversary Exhibition”, Penang State Art Gallery, Malaysia
2004 “Northern Vantage – 11 Malaysian Artists”, ABN AMRO-USM Gallery, Penang, Malaysia
2004 “Northern Vantage – 11 Malaysian Artists”, NN Gallery, Kuala Lumpur, Malaysia
2004 “Commemorative Art Exhibition in Aid of Cancer”, Siraj Hospital, Bangkok, Thailand
2003 “Friends of CFA” Art Point Gallery, Penang, Malaysia
2002 “International Chung Ling Artists Invitation Show”, Penang State Art Gallery, Malaysia
2001-2002 “Penang Art Society Annual Exhibition”, Penang State Art Gallery, Malaysia
2001 “Past and Present in Penang”, Lekuan Art Gallery, Penang, Malaysia
2001 “A Farewell to Sia Boey Market”, Penang State Art Galley / NYFC, Malaysia

Public Collection
Shanghai Art Museum, Shanghai, China
Ecole Nationale Supérieure des Beaux-Arts (ENSBA), Paris, France
Singapore Art Museum (SAM), Singapore
National Art Gallery, Kuala Lumpur, Malaysia
University Museum and Art, Hong Kong
Ayuthia University Thailand
ABN Amro Bank (now RBS), Singapore
University Science Malaysia
Thai Airways International
European Commission, Malaysia
Malaysian Embassy France
Malaysia Embassy, Belgium
Malaysia Consulate Dubai, UAE

AuctionBorobudor Auction Singapore, May 2008

Art Book
2010 "Brain Imaging: What You See and What You Want to See", Pace Gallery, Malaysia
2007 “The Journey”, ABN AMRO Bank, Hasnu J. Saidon & Zanita Anuar.

Literatures/ Reviews
2010 "Shanghai Art Museum Collects Chng's Painting", Art Guide vol.31 p123
2009 “Mystical Adventure” Dynasty (China Airlines inflight magazine), March
2009 “拼出不同火花抽象魅力無邊”（Abract Creativity), Oriental Press, July
2008 “Creation”, Penang Art Society
2008 “The 70th Mokwoohoe Members Exhibition and Combined with The Malaysian Figurative Artist
2008 "Artist 2008" Mookwoohoe Fine Artist Association
2008 “Portrait of A Businessman as an Artist”, Malaysian Business, March 1-15
2008 “Perjalanan Huck Theng Lewat Lukisan Abstrak” Media Indonesia.com, July 8
2007 “Artist’s Favorite – Directory of Penang Artists”, Penang State Art Gallery
2007 “A Story in the Making “, Pinang II: Born Penang Proud to be Malaysian
2007 “The Heart Of An Artist”, Cover Page Story, Essenze, Q3-2007, MarketSource Sdn.Bhd.
2006 “Vision 2006”, ArtGrup Penang
2005 “LINK : Penang-Beijing”, ArtGrup Penang
2004 “Northern Vantage – 11 Malaysian Artists”, ArtGrup Penang
2004 “Shaking Up the Scene …”, Treazures, Vol I
2004 “The Accidental Artist”, Le Prestige, January issue
2004 “Stirred with simplicity”, New Sunday Times, February 8
2003 “Looking through Colored Lenses”,Pinang: Beyond Aspiration
2003 “31 歲莊學騰擠入老行º“行列” (Joining the Professional at 31), Guang Ming Daily, June 28
2003 “Call of the Mind”, Malaysia Tatler, July issue
2003 “Ch’ng Huck Theng – Art Collector”, V Mag, September issue
2002 “International Chung Ling Artists Invitation Show” , BOD Chung Ling High School
2001 “Ch’ng Huck Theng ”, Malaysia Tatler, April issue
2001 “Past and Present Artists of Penang”, Penang Tourist Newspaper, June issue
2001 “Fondness for Figurines”, The Star, June 1
2001 “古玩背後故事更動人” (Fascinating Stories behind the Collectibles), China Press, June 10
2001 “古玩物不是老人才玩的”(Collecting not only for the old), Guang Ming Daily, June 10
2001 “Porcelain futures”, The Edge, August 13
1997 “情困Ã’瓷藝術品” (Falling in love with porcelains), Guang Ming Daily, January 5
1997 “心平氣和辨真假” (Authentication via a peaceful mind), Guang Ming Daily, January 6

Public Seminars
2007 “Art, Communication and Publicity”, Universiti Sains Malaysia
2004 “An Introduction to Famille Rose Chinese Figurines”, Penang Antique Collectors Association
2003 “Late 19th/ Early 20th century Famille Rose Chinese Porcelain”, Southern Asia Ceramic Society
2002 “Chinese Porcelain and Art”, American Women’s Association, Kuala Lumpur

Organizations
2010         One East Museum & Art
2009         Penang Art Society
2008         National Art Gallery, Malaysia

2008         SENIKINI / Malaysia Art Now
2005         Penang Antique Collectors’ Assc, Malaysia
2003         Dreamz Foundation, Malaysia
2003         SEA Ceramic Society, Malaysia
2006-2008 State Museum Board, Penang, Malaysia
2006-2008 Penang State Art Gallery, Malaysia
2001-2008 Penang Art Society, Malaysia
2004-2006 ArtGrup Penang, Malaysia

Books Written & Published
“Bewilder” MarketSource Sdn. Bhd., 2009
“The Migrated Figurines” One-East Marketing Sdn.Bhd., 2002
“The Surviving Pieces” One-East Marketing Sdn.Bhd., 2001

Articles Written
“The Missing Jigsaw”, Essenze vol 15 2009
“Nyonya Ware”, Treazures, Vol I, 2004
“Figuring Out Our Figurines”, Penang: Beyond Aspiration. Penang: Intact Communication, 2003
“Idol Fancies”, Malaysia Tatler, July 2001 

Week 8 - Discussion After Interview Sculptor

Since we were the first group that done for the interview first, then, I did asked Jien Li and Nick for the organization for the final Documentary Process arrangement and who will be in change on which part. Basically, I did volunteer to do the part which much on the research that Mr. Ch'ng has done. We actually did not do anything much for this week due to having other assignments for rushing up. As I know this was not a good reason, yet I promised I will do something after everything been settle down.

In the end of the discussion, we still decided to do much of the research on our Sculptor. 

Week 7 - Interview Sculptor

Finally, we did interview Mr. Ch'ng at the Malaysian Art Expo 2014.

As the moment we step in the Art Expo. we were kind of lost in there due to there is too much of foringe artist and all of the art work are totally attractive to us. We did like take around 30-60 minutes to search where Mr. Ch'ng place was.

We were introduce ourselves first then being our interview. Jien Li is the one who in charge in asking the questions. While Cong and me were in chrge on the video. we were trying to search for the better angel-to shoot out. Cong was the onw who recorded about what Jien Li asked, and me was the one who recorded straight toward Mr. Ch'ng.

Due to we couldn't find the cheaper mic, we decided to only use phone to recorded the voice.

Mr. Ch'ng seem friendly doing all of the process. While interviewing he did actually said or told that he likes the questions the we prepared. This is because that nowadays, teenagers wouldn't ask or even understand about the story behind and did not actually think forward to future. He was kind of appreciate with what we have asked. He though kind of deep and it does impress me (about the journey he came and the story behind the sculpture.)

Here are the sculpture that i have took a picture.